Adloura makes advertising posters the way a designer would: something decides the composition, and something else sets the type. The AI composes; a real browser typesetting engine renders every word from actual fonts. That split is why the words on an Adloura poster are the words you typed — in English, in Hindi, in Tamil, in Arabic.
Almost every "AI poster generator" hands the whole job to an image model and asks it to draw the letters along with the picture. Image models do not spell. They produce letter-shaped marks that read as text at a glance and fall apart when you actually look: a missing stroke, a doubled letter, a brand name spelled three different ways across three variations. In English it looks careless. In Devanagari, Tamil or Arabic — scripts where letters join, stack and carry marks above and below the line — it is not language at all.
Adloura never lets a model draw a glyph. The generated image is a picture and only a picture; it is explicitly instructed to contain no lettering and no signage. Every word on the poster — headline, offer, service list, phone number, call to action — is typeset separately at full resolution from a real font file, exactly as a web page is. The result is text that is sharp at any size and correct in any language we support.
A template tool gives you slots to fill. That is why template posters all look alike: the design was decided before anyone knew what you sell. Adloura's art director composes freely from a vocabulary of design blocks, so an AC repair service and a skincare brand get genuinely different posters rather than the same frame with different words.
Sizes are a scale, not pixels: the director asks for "extra large" and the renderer decides what that means on this canvas, so the same design holds together at 1:1, 4:5, 9:16 and 16:9. Colours are roles, not hex codes — "accent", "surface", "ink" — which your Brand Kit palette fills in. Your brand colours therefore drive the design by construction, and the contrast between text and its background stays something we can measure rather than hope for.
Free composition is what makes varied posters possible, and it is also what would let a machine emit an unreadable one. So the freedom is bounded by measurement, not by instructions. Before a poster is rendered, the layout is measured in a real browser and tested:
A layout that fails is repaired and measured again, and the repair order matters: decoration is dropped before content, and the picture is kept before the words. If it still fails, the poster is not shipped. A geometry check that shrugs and passes is worse than no check at all.
Line spacing is a property of the script, not of the design. Latin barely rises above the cap height, so a tight display leading looks modern. Devanagari hangs mātrās above the shirorekha and drops others below the baseline; the same number shaves the vowel signs off and changes what the word says. Telugu and Kannada are further again — the vowel sign sits above the letter and conjunct consonants hang below it, so one line occupies three vertical registers.
Adloura sets each script with its own font stack and its own leading, measured rather than assumed. That covers Hindi, Marathi, Tamil, Telugu, Bengali, Gujarati, Kannada, Malayalam, Punjabi, Odia, Arabic, Urdu, Persian, Hebrew, Thai, Chinese, Japanese and Korean, alongside English and the European languages. Arabic and Urdu posters are laid out right-to-left, not mirrored English.
One poster costs 1 credit. The free plan includes 1 video ad a month with a small watermark and no card required, which is enough to see the output on your own product before you decide anything. Paid plans remove the watermark and add credits, and the same brief can be turned into a full video ad whenever you want one.
Real ads generated by Adloura from a single product photo or link — script, visuals, voiceover and captions included.